Before concluding his travels, James is here today at the Hearthfire to answer some questions about his work:
You were a teacher before becoming a full-time writer, which is not that unusual a past career for an author (and not specifically for children's authors). Why do you think that is? For you, how does writing YA compare to teaching?
I suppose the answer is twofold. On one hand, they’re both incredibly creative professions (or they CAN be if you’re teaching well). The best part of being a teacher for me was coming up with madcap ideas for what we were going to teach and how – it’s a shame that the current government wants to squeeze the fun out of teaching and learning.
Secondly, teachers are surrounded by children’s literature and you can’t help but be inspired by that. I suppose if you’re in a position of being an authority on how to write, it figures that you’d imagine you’re quite good at it (like a writing megalomaniac!)
Hollow Pike is shot through with the idea of witches and there's clearly an interesting history there. What kind of research did you do into witchcraft to write Hollow Pike? Are there any cool facts you picked up that didn't make it into the book?
An earlier version of Hollow Pike would have centred around Ley Lines rather than witchcraft. Ley Lines are supposed channels of energy that flow under the earth. Areas with a high abundance of Ley Lines are said to be hotbeds of mystical energy and that is how the kids of Hollow Pike would have developed their abilities. In the end though, witches are just more fun and the Pendle case proved irresistible.
Earlier this year, you were the first man to be nominated Queen of Teen, which brought some interesting press coverage. What were the highlights of that experience for you? Are there any 'lowlights'?
The Queen of Teen was such a great experience – man do they know how to throw a party! I was proud to be nominated because the Queen of Teen organisers were keen to show it wasn’t a ‘girls only’ affair and that pink is for everyone. There was some fuss when the nominations were announced but, if I’m honest, I thought it was pretty hilarious. Some critics didn’t like that a bloke was stealing attention from female authors, but these were the same critics who hated it being a ‘girly’ award. The poor organisers couldn’t win whatever they did.
With the Queen of Teen, you just have to enter into the spirit of it. Male or female, the day IS pink and light-hearted and stereotypical, even if that’s not altogether PC. It was designed as a remedy to stuffy awards ceremonies and there’s something quite punk about the whole day. It’s two fingers up to the establishment. More importantly, it gives readers a chance to vote for THEIR favourite books – not the books critics tell them they should like. On a final note, the winning author, Maureen Johnson, is a million miles away from being pink and fluffy, so that speaks for itself really!
I've seen several interviews already asking about your writing practice, now that you're a full-time writer. I note that you are very professional and organised about the whole thing (no lying-in until noon, for example). So, there really aren't any strange writing habits you could share with us? No rituals or routines to help you get down to writing?
This is such a boring answer, but no! I wake up, eat breakfast, shower and write. Actually I do eat constantly on the orders of my personal trainer. Actually, that’s still quite boring isn’t it? Writing is my job. I keep office hours. I’m sorry I’m not more flouncy and artistic!
Well, I suppose we can forgive you :) Thank you so much for answering my questions - and for producing such a fabulous read!